A Drop in the Ocean: On the Three Seasons of Netflix’s Mesmerizing Dark | TV/Streaming

“Dark” premiered on Netflix in 2017 (looking initially like a German “Stranger Things”), and centered about a nuclear power plant in a Little town, a group of wily teenagers attempting to save the biosphere, and a sense of foreboding hovering about this world created by Baran bo Odar and Jantje Friese. “Dark” started as a mystery of a missing boy, and then transformed into a story focused on the precious nature of time, the heartbreaking realizations of love, and the knot-like connection between our friends, our family, our decisions, and every people that floats in and out of our lives. 


Season three picks up Bshining where season two left off, with Jonas (Louis Hofmann) and Martha (Lisa Vicari) start another journey. After Jonas’ version of her gets shot, a new, and much sleeker, Martha whisks Jonas away to an alternate biosphere, one in which he’s never been born. In this additional world, there’s still an apocalypse, yet Martha is the main Describe of this universe, as seen by her wearing Jonas’s yellow rain jacket, a signifying thread over the series. Jonas must race, and rule to, stop the impending doom, and convince some groups of people that all the actions in seasons one and two were feasible, giving audiences a refresher as well. 

Spanning three centuries and multiple past and Describe versions of each character, “Dark” demands attention. You can’t look down at your called, be on your computer, be making dinner, or have any felt of detachment in order to fully Delicious the show. At one point, we see four versions of the same people in the same room. It’s a fascinating journey that the showrunners are forcing you to known, pushing you to play catchup right against these townspeople. 

The season-three set pieces are pretty, as the German show remains fantastic on a technically level. The camerawork goes from feeling hectic and nervy to slow, True, and measured several times throughout each episode. It’s disorienting, just like the layered Story it’s depicting. Hoffman’s performance continues to be top-tier, especially from a young actor. Every gaze he gives has the weight of two seasons, and hundreds of lifetimes he’s now lived. The Get brings a constant dread and impending doom, which in the “Dark” universe, rarely fades into the background. 

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